Amelia Barikin works as a curator and writer in Melbourne, Australia. Her research interests include time-based contemporary art, historiography, topology, anarchitecture, music machines, event horizons, found sound, situations, terrariums, 1968, 2001, reconstructions, chronophobia, science fictions, psychotropicalism, utopias, non-sites, heterotopias, and philosophies of time. She has worked on numerous exhibitions and arts projects both independently and with broader cultural organisations such as ACMI, Experimenta, red gallery, TekniKunst, Bus Projects, Craft Victoria, Liquid Architecture Festival of Sound Arts, and The Biennale of Sydney. Amelia completed her PhD in 2008 at the University of Melbourne where she is now based in the Spatial Aesthetics program. She is currently preparing a monograph on the contemporary French artist Pierre Huyghe for publication with MIT Press.
